Star Wars fans
will be relieved that The Force Awakens is better than 1999’s The Phantom
Menace, 2002’s Attack of the Clones and
2005’s Revenge of the Sith, but falls somewhere in-between those stories and
1983’s Return of the Jedi, 1980’s The Empire Strikes Back and, of course, 1977’s
2015 seems a lot longer than the decade from Sith vengeance to this
reawakening, especially when 16 years came between Return of the Jedi
and The Phantom Menace.
Opening with extreme violence, The Force Awakens teases with dashes of
the 1977 original epic spliced into the script along with new characters
making their debut in the Star Wars universe. A new face like Oscar
Isaac as Poe Dameron makes the grade as does Billie Lourd - daughter of
Carrie Fisher (herself the daughter of pop singer Eddie Fisher and his
first wife, Debbie Reynolds) and Fisher's ex-boyfriend, talent agent
Bryan Lourd (who left Princess Leia Fisher for another man! Such
scandal!!! that would spice up this Force Awakens, but I digress...) and
perhaps the very best new edition, Lupita Nyong'o as Maz Kanata - a fun
character that we hope returns in the next films.
So how does Abrams bring it all full circle thirty eight years after Star Wars first hit our collective consciousness?
How about Jesus from 1965's The Greatest Story Ever Told who morphed
into 007's major enemy Blofeld from Sean Connery's own Never Say Never
Again(1983) ( as well as Dr. Paul Novotny in 1984's underrated
Dreamscape,) the brilliant Max Von Sydow bringing that Alec Guinness
style wisdom and class to the film's opening. A great move that
J.J.Abrams failed to sustain throughout this chapter. What the
director gives the people is what they want, the familiar exciting
lightsabers and death rays.
Have some imagery from 1989's Star Trek misfire The Final Frontier,
lots and lots from 1984's great The Search For Spock, the crash landing
from 1994's Star Trek: Generations and so much more from Search For
Spock - from the beautiful red hues of planet Vulcan to Mark Hamill's
wardrobe that makes this - truly - more The Search for Luke than "the
force awakens." If you had any thought that J.J. Reboot, immersed in
Gene Rodenberry and George Lucas, was going to go brand spanking new on
us, those ideas will be cast aside as the film progresses from action
scene to action scene, keeping the action ahead of the story so that it
doesn't get trapped into any "Clone of the Phantom Sith."
With the immense hype and propaganda leading up to this event, even
this long-time critic - my first reviews printed in 1969 - has jumped on
this new Star Wars bandwagon (it would be foolish not to,) the build up
so intense that, well, it makes for a mighty bar to reach. If you're
looking for the Star Wars Holy Grail, well... though there are many
excellent moments and tremendous sets, it's simply not here. What is
here is a reuniting of old friends and beloved characters, coming back
to your life in a precise exercise in making an entertaining two hour
and fifteen minute return to the Star Wars realm.
Andy Serkis gets to play so many cool characters - from Caesar in Rise
of the Planet of the Apes and Dawn of the Planet of the Apes as well as
long-time Marvel Comics villain Klaw in Avengers: Age of Ultron and also the voice of Gollum in 2001's The Lord of the Rings: The Fellowship of the Ring.
Here he plays a terrific evilmaniac with the worst name since Jar Jar
Binks - Supreme Leader Snoke. Now had Jar Jar been voiced by Zsa Zsa
Gabor ...creating Jah Jah Binks - all would be right with the world, but
I digress again. Here Snokes/Serkis has the luxury of some of the best
science fiction sets in Sci-fi history. Abrams does embrace the
wonderment of having a large, vast expanse (one of the highlights of the
Tom Cruise flick Oblivion) and the breathtaking immensity of these
wombs of the dark side are a huge plus for this film, bringing it more
towards the first three, where it belongs, than the travesty that
followed with that trio of Star Wars prequels from 1999-2005.
importance to hundreds of millions – if not more than a billion people on this planet – of Star
Wars fans, this long overdue “Chapter 7” - as stated - plays it safe, it is both a reboot of
past achievements and a prologue to the new adventures. Hollywood
being Hollywood, and the dollar
being more important than new creative moments and intriguing advanced
innovation, the pace of the awakening of The Force thrusts 1999’s The Phantom Menace back into the dark
ages, as if it never existed.
Dangling so many goodies in front of the massive audience, this
reboot is merely a prologue to what is yet to come. Disney must be on
notice. With 42 year old Rian Johnson taking the director's chair from
the reboot master, JJ Abrams, 2017's Episode VIII has the opportunity to
be the place where the force truly awakens. This Chapter VII is
merely the placeholder putting everything back into its "new order."
This review will be broadcast on http://bostonfreeradio.com at 1 PM on Wednesday, December 16, 2015 on the Joe Vig Pop Explosion